Tubular Bells Vol.1: Remastered | 
 enlarge | Artist: Mike Oldfield
Label: Virgin
Category: Music
List Price: £13.99
Buy New: £4.25
You Save: £9.74 (70%)
New (17) Used (4) Collectible (1) from £4.25
Rating:  17 reviews
Sales Rank: 4280
Media: Audio CD
Discs: 1
Running Time: 49 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
UPC: 724384938826
EAN: 0724384938826
ASIN: B00004T9AF
Release Date: May 29, 2000
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: Ships from U.S.A., to anywhere in the United Kingdom! Orders only take 7-10 days! We specialise in service to the U.K. and only ship airmail.
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Amazon.co.uk Review
The opening bars of this classic album by Mike Oldfield were heard by audiences that packed theatres to witness one of the scariest films of all time--The Exorcist. And it wasn't long before this debut release, not only from Oldfield but also from Richard Branson's new record label, Virgin, found itself in the upper echelons of pop charts around the world. Primarily an instrumental album, with performances on almost every instrument credited to Oldfield, it takes the listener into widely varying musical territories, ending as Viv Stanshall formally announces each instrument as it joins the mix. --Paul Clark
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| Customer Reviews: Read 12 more reviews...
 Maybe you were really looking for Parsifal? August 3, 2008
S. Matthews (Mainz, Germany)
0 out of 10 found this review helpful
Amazon, for some reason, has suggested to me that I might want to buy this.
Ah no.
If you are really desperate to hear tubular bells, can I suggest a good recording of Parsifal? It has the virtue of being, if only subjectively, shorter.
 This is how music should be April 19, 2008
Fat Boy Fat (Who cares?)
3 out of 3 found this review helpful
Alone amongst the arts, music has the ability to reach inside our weather beaten shells, grab our soul by the scruff of the neck and beat us to death in a darkened room. This album does just that. Stick it in the CD player, turn off the lights and be transported.
From the quiet, mesmerising start to the glorious finish Oldfield weaves in all sorts of themes and rythmns, whirling them around in sublimely a co-ordinated composition. The whole thing last over 45 mins and you never once get bored. The fact that he was only 19 and yet managed to play dozens of instruments from the guitar to the percussion, without it being really dreadful, speaks volumes.
Sure it was created in a hurry by people who didn't know what they were doing. But they sure learned fast. Yes, it has odd, sometimes crazed bits, but no the Sailor's Hornpipe is not just 'tacked on'. Oldfield had a party trick in his folk days - playing the Hornpipe faster and faster - and it is brilliant, it ends the album on a high.
Incidently, why this man has been not being knighted escapes me, especially when you think of some of the muppets from the music world that get gongs. But then politicians don't have souls so will not appreciate this delight!
Buy it. Buy it now , don't be a politician - feed your soul!
Grand Piano! March 26, 2008
Stotty (Bolton, England)
3 out of 3 found this review helpful
For a teenager to compose and record an album of this scale, playing every instrument himself, is quite an astonishing achievement and is something of a lost art these days. How many multi instrumentalists of this quality exist today?
Tubular Bells was the inaugural release on Richard Branson's fledging Virgin label in 1973 and is still arguably that label's biggest seller. It also started a trio of epic instrumental works that would continue with 'Hergest Ridge' in 1974 and end with 'Ommadawn' the following year.
Strangely, I prefer the flowing seamless music on the next two albums to 'Tubular Bells', which flits from one musical theme to the next with an almost jerky agitation. Having said that the music on offer is of alarming quality.
The opening sequence of 'Part 1' is still a haunting piece, used to great effect of course on 'The Exorcist'. The rest of the track is a good blend of folk and rock with uplifting acoustic guitar one minute, and thrashy electric guitar the next. The closing sequence is an entertaining melody which sees looney tunes Viv Stanshall introduce a diferent instrument each couple of bars in a tongue in cheek master of ceremonies role. It's an amusing idea, which unfortunately, outstays it's welcome by the end.
'Part 2' is a more relaxing, 'chilled out' piece, only really interrupted by the 'beast voice' section which sees Oldfield let rip with some top lead guitar. The whole thing ends bizarrely, with a version of 'The Sailor's Hornpipe'.
'Tubular Bells' is a unique, singular work by a hugely talented composer and musician. Ironically, the uneducated see Oldfield as a keyboardist, when he is arguably, one of the most talented guitar players this country has ever produced, with an amazingly distinctive playing style.
As I mentioned before, I prefer the more pastoral sound of the next album, and the more 'world music' feel of 'Ommadawn' to 'Tubular Bells', which doesn't flow as well and is perhaps guilty of being a tad too long but it's still terrific stuff, even 35 years later.
Everyone should own a copy! October 18, 2007
PAULINE STAVES (uk.)
2 out of 2 found this review helpful
I've had this album since I was 17 on LP, cassette, eight track stereo! And now recently purchased on CD. I listen to it every day and never tire of it. No one has ever produced an album remotely like this.There is always something different to hear every time you play it.Truly unique and timeless and an amazing achievement for a composer who was so young and unknown when it was first released in 1973. If I could take one thing with me when I die it would be a copy of 'Tubular Bells'...and hopefully something to play it on!
Time for a re-think? October 3, 2007
Jonathan P. Talbot
1 out of 1 found this review helpful
I first heard this from a friend in the 70s who was very good at ferreting out the interesting and unexpected. We all loved it immediately but later, as it became a global phenomenom, it stopped being cool and l gave my LP away. Then punk happened and the rest is history. I'd forgotten about it until I heard it on a flight somewhere over the Pacific...
I don't think it matters if its hippy music or a rock symphony or anything else; it succeeds because there are so many melodies and moods seemlessly woven together with a wonderful Pyhtonesque undercurrent- terribly English, bit west country, bit rock, bit film score, bit zen, bit sole mio, bit country come to that and all a bit home made and down the pub/skin up a spliff. Why can't some people (like me for 20 years) accept it for what it is and enjoy a modern classic? And what stops people from taking it seriously because it is seriously good?
Agreed about all the versons. i have a cd now of the original recording and it does just fine; every time l play it, its pure pleasure. Not many things in life you can say that about.
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